By Shirley Chew, David Richards
Taking an cutting edge and multi-disciplinary method of literature from 1947 to the current day, this Concise spouse is an quintessential advisor for someone looking an authoritative knowing of the highbrow contexts of Postcolonial literature and tradition. An quintessential consultant for an individual looking an authoritative figuring out of the highbrow contexts of Postcolonialism, bringing jointly 10 unique essays from top foreign students together with C. L. Innes and Susan BassnettExplains the tips and practises that emerged from the dismantling of eu empiresExplores the ways that those rules and practices inspired the period's keynote issues, reminiscent of race, tradition, and id; literary and cultural translations; and the politics of resistanceChapters disguise the fields of identification reports, orality and literacy, nationalisms, feminism, anthropology and cultural feedback, the politics of rewriting, new geographies, publishing and advertising, translation studies.Features an invaluable Chronology of the interval, thorough normal bibliography, and courses to additional examining
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Additional info for A Concise Companion to Postcolonial Literature (Concise Companions to Literature and Culture)
The following brief survey is a reminder of the synergy which existed between the two in pre-colonial India. The oral and the written in Ancient India While the literary tradition in India is about 3,500 years old, the medium of print is barely 200 years old. The principal mode of literary transmission prior to the nineteenth century was oral. Certainly, scripts had been used in India for recording literary as well as discursive texts from at least the fifth century BC. Poets wrote, using the known scripts, on thin barks of trees or palm leaves; and scholars, who studied these texts and used them in schools and universities, reproduced them periodically so as to keep the written word alive.
In the anglophone Caribbean, seemingly without the benefit of the influence of French modernism, surrealism, existentialism, and the developing theories of self and other, similar expressions of the psychological damage inflicted on subjugated identities were, nonetheless, being explored. In 1953, the Barbadian writer, George Lamming, published In the Castle of my Skin, the first of a series of semiautobiographical fictions that would explore, in a Fanonian way but independent of Fanon, the colonial and postcolonial condition (see also The Emigrants, 1954, The Pleasures of Exile, 1960, and Natives of my Person, 1972).
Far from being lost, or invisible, to representation, their identities as strategic individuals are made out of this interaction, and new identities emerge in praxis, in performance. There is no contradiction in saying that the text is simultaneously about dislocation and 22 Framing Identities location, far from it; it is in the dynamic interchanges between these states that a reconception of notions of ethnicity and identity is enacted in Moses as he engages with ‘differently-centred’ but ‘interconnected’ worlds (Clifford 1997: 25, 27) and begins to ‘live each of their lives, one by one’.
A Concise Companion to Postcolonial Literature (Concise Companions to Literature and Culture) by Shirley Chew, David Richards