Download PDF by Olaf Hansen: Aesthetic Individualism and Practical Intellect_American

By Olaf Hansen

ISBN-10: 069163551X

ISBN-13: 9780691635514

Addressing very important concerns within the present revision of yankee literary experiences, Olaf Hansen incorporates out an exposition of yank writing as a philosophical culture. His vast and comparative view of yankee tradition finds the significance of the yankee allegory as a real creative and highbrow type and as a different mode of concept relatively suited for exhibit the philosophical legacy of transcendentalism. Hansen lines highbrow and cultural continuities and disruptions from Emerson via Thoreau and Henry Adams to William James, paying unique realization to the modernism of transcendental suggestion and to its caliber as a sound philosophy in its personal correct. fascinated about defining principles of self, selfhood, and subjectivity and with ethical culture as an act of making order out of the cosmos, the yankee allegory supplied a simple and often ignored hyperlink among transcendentalism and pragmatism. Its "suggestive incompleteness" mixed in a hugely dialectic demeanour the essence of either enlightenment and romanticism. characterised neither via absolute objectivity nor by way of absolute subjectivity, it allowed hypothesis concerning the which means of truth and approximately humankind's position in a realm of appearances.

Originally released in 1990.

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Additional resources for Aesthetic Individualism and Practical Intellect_American allegory in Emerson, Thoreau, Adams, and James

Example text

Eakins has provided one of the major clues for an adequate reading of his painting as allegory, by his contrapuntal use of light and color. Light and color in The Gross Clinic establish two separate levels of meaning, and it is their juxtaposition within a unified whole of many parts that allows us to read the painting as pictorial allegoria permixta. As opposed to the tota allegoria, the first form of allegory works with a wide range of easily accessible substitutions that help to clarify the meaning of the allegorical statement.

Eakins plays out the or­ der of central perspective against an order of iconological sense that puts the viewer into a position that has all the characteristics of a dou­ ble bind. With the surgeon in the middle of the painting and the round shape of amphitheater in back, the viewer is in a twofold sense lured into assuming the identity provided by the anthropomorphic quality of central perspective on the one hand, and at the same time included by the enclosure of the rotund space on the other.

It is not enough to renarrate the history of facts and events. With Henry Adams we must pursue the question of why, a question which includes the acknowl­ edgment of a debt to history by the mere fact of self-reference which it implies. 20 The second, somewhat unlikely companion to Husserl's role in the formation of a specific curiosity about the nineteenth century has been the influence of Theodor W. Adorno's Negative Dialectics, an influence of long standing, setting the overall theme of a philosophy of nonidentity.

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Aesthetic Individualism and Practical Intellect_American allegory in Emerson, Thoreau, Adams, and James by Olaf Hansen

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