By Rachel Sutton-Spence
This new learn is a big contribution to signal language learn and to literature typically, the advanced grammatical, phonological and morphological platforms of signal language linguistic constitution and their position in signal language poetry and function. Chapters care for repetition and rhyme, symmetry and stability, neologisms, ambiguity, issues, metaphor and allusion, poem and function, and mixing English and signal language poetry. significant poetic performances in either BSL and ASL--with emphasis at the paintings of the deaf poet Dorothy Miles--are analyzed utilizing the instruments supplied within the publication
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Additional resources for Analysing Sign Language Poetry
The slow, tense, jerky movement of BARE-TREE contrasts with the last time that the sign TREE was seen in the quartet – in Spring. Then the movement was rapid, but loose and fluttering. In the four signs HARD ICE SOFT SNOWFALL, the signs HARD and ICE made with fast, tense movements, before the next, strongly contrasting signs SOFT SNOWFALL, are made with much softer, more relaxed movements. Repetition of location Although spoken words must occur linearly, sign language poems can exploit the possibility that signs may be placed in space to create visually aesthetic patterns and contrasts, just as they might in visual arts such as painting (Bauman, 2003).
Different societies have different cultural traditions that dictate the features of poetry and we should not What is Sign Language Poetry? 1 Poets usually grow up within their own cultural traditions and heritage of poetry, and will be influenced by them, whether they conform to these traditions or try to break from them. However, Deaf communities have not usually maintained a poetic tradition – within our definition of poetry – although they have often had very strong storytelling traditions. Storytelling uses an artistic form of language but the sign language storytelling traditions did not develop into poetry until very recently (and many signed poems still have strong narrative features).
For a long time, Deaf people were surrounded by the notion strongly advocated by Oralism that English was the language to be used for high status situations and that ‘deaf signing’ was inferior and only fit for social conversation. Poetry was seen as a variety of language that should be conducted in English, because of its status. Ormsby (1995) remarks, ‘No poetic register existed in ASL because poetic register was socially inconceivable, and as long as it remained socially inconceivable, it was linguistically pre-empted’ (p.
Analysing Sign Language Poetry by Rachel Sutton-Spence