Get Film Theory: Rational Reconstructions PDF

By Warren Buckland

ISBN-10: 0415590973

ISBN-13: 9780415590976

In Film idea: Rational Reconstructions, Warren Buckland asks a chain of questions on how movie conception will get written within the first place:

  • How does it pick out its gadgets of research and its tools of inquiry?
  • How does it make discoveries and clarify filmic phenomena? And,
  • How does it formulate and resolve theoretical problems?

He asks those questions of movie conception via a rational reconstruction and a classical statement. either frameworks make clear and reformulate imprecise and inexact expressions, redefine imprecise suggestions, and think about the underlying good judgment of movie thought arguments. This not just topics movie idea to rigorous exam; it additionally teaches scholars how you can write conception, by way of allowing them to question and severely interrogate the good judgment of past movie concept arguments.

The booklet contains 9 chapters that heavily learn a chain of canonical movie books and essays in nice aspect, by way of Peter Wollen, Laura Mulvey, Thomas Elsaesser, Stephen Heath, and Slavoj Žižek, between others.

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Extra info for Film Theory: Rational Reconstructions

Sample text

The two figures are not simply in front of the fence. As a two-dimensional representation the image also places the fence between them. ) The figures stand on common ground but only one will move along it. Clementine is now rooted to the soil (not isolated from it in the town’s geometry) while Earp is clearly above it. Earp, though, doesn’t exactly straddle two worlds; he exists apart from and above each. Charisma and the law remain apart but through his intervention, the space between them can be mediated.

This auteur structure is more complex and specific than cinematic concepts, but not as specific as individual films (singular textual systems). Wollen takes Ford and Hawks as case studies to illustrate his theory. He argues that Hawks’s adventure dramas contain the following motifs and themes:            an exclusive group (a band of eccentrics); must pass a test to win admittance; the group members are bound together by rituals – including singing; the group’s security is the first commandment; Hawks’s heroes pride themselves on their professionalism; tension is manifest in the group when one of the team lets the others down; for Hawks’s heroes, death is a routine occurrence; his heroes try to mask their nihilism with ‘fun’; there is an undercurrent of homosexuality in Hawks’s films; women are only admitted to this all male group after a long process of induction; there is a clear identification between women and the animal world; and there is little or no married life in Hawks’s adventure dramas.

Instead, it consisted of a rigorous set of binary oppositions that gradually evolved as Ford’s career progressed. ) In his auteur chapter Wollen did not, therefore, ‘try out’ the auteur theory on unknown directors; he did not attempt to reveal authors where none had existed before, but limited himself to the established auteurs Hawks and Ford. 5 Systematizing data (classifying, correlating, ordering, measuring) The strength and purpose of auteur theory lies in the way it systematizes its data, as Andrew Sarris recognized: ‘the auteur habit of collecting random films in directorial bundles will serve posterity with at least a tentative classification’ (1962, 8).

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Film Theory: Rational Reconstructions by Warren Buckland

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